Studio

An overview of the mastering desk and equipment. The first picture shows the our ATR Services/Mike Spitz Custom Remanufactured 1/2" ATR-102 (Ampex) with stock and Aria Electronics (which is normally resides in the vocal booth). Besides a Pro Tools Session and the Spectra Foo Analyzer, the third item in the computer display is the software controller for the T.C. Electronic Mastering System 6000 which is in the machine room. The monitoring system is Lipinski L-505 monitors plus stereo DD-10 Velodyne subwoofers. The 4 fader unit is a JL Cooper midi controller and the controller above the keyboard is for the Dangerous Monitor/Speaker Switcher ST.

Manley Vari-Mu Compressor, Requisite Mark II Tube Mastering Limiter, TubeTech Multi-band Compressor & Manley Massive Passive Tube EQ	Manley Tube Stereo Pre-Amp, Distressor - Model EL8 compressor, Millennia HV-3C solid state stereo Pre-Amp, Nightpro EQ3-D, Weiss DS-Mk2 Compressor/De-esser, Weiss EQ-1 MK2 Dyamic & Linear Phase Equalizer & Prism Maselec-MEA-2 Masters Series equalizer

View of the lower racks, including items such as our Waves L2 Ultramaximizer peak limiter/volume maximizer, LavryGold DAC & ADC, Lavry 3000S Digital Optimizer, Weiss DAC1, Dangerous 2-bus LT Summing Amp, Dangerous Monitor/Speaker Switcher ST, DD2 K-Stereo enhancer, Pendulum PL-2 JFET/MOSFET Analog Peak Limiter, Class-A amplifer for the ATR 1/2" Aria Electronics, Patch Bay and CD player, etc..
Mastering engineer, Andy Krehm.

The office: Ron Arnold, Manager Of Operations and Bruce Longman, Graphic Designer.

Vocal Booth: featuring two large windows overlooking the Toronto Harbour